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Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues
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"I don't know where he's buried, but if I did I'd piss on his grave." -Jerry Wexler, best friend and mentor Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era: Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, and anyone who was anyone in New York rhythm and blues. In seven quick years, he went from nobody to the top of the pops producer of monumental r&b classics, songwriter of "Twist and Shout", "My Girl Sloopy", and others. His fury to succeed led Berns to use his Mafia associations to muscle Atlantic Records out of a partnership and intimidate new talents (like Neil Diamond and Van Morrison) he signed to his record label, only to drop dead of a long-expected heart attack, just when he was seeing his grandest plans and life's ambitions frustrated and foiled.
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Audible Audiobook
Listening Length: 11 hours and 59 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Audible Studios
Audible.com Release Date: December 23, 2014
Whispersync for Voice: Ready
Language: English, English
ASIN: B00R6IR7NM
Amazon Best Sellers Rank:
I would normally give this excellent book 5 stars. Mr. Selvin has used the Bert Berns story to weave a magnificent book about the history of rhythm and blues and the record business in New York. I'm only able to give it 4 stars because of the unfair treatment of Neil Diamond. It is obvious that Mr. Selvin did not interview Mr. Diamond (Neil probably didn't want to talk about the fact that his career was almost ended by the mob). I feel Mr. Selvin didn't or couldn't interview Neil Diamond, so he decided he would portray Diamond as self centered and unappreciative of the assistance his career was given by Jeff Barry and Ellie Greenwich. Nothing is further from the truth. Diamond always mentioned Barry and Greenwich with warm regards and both songwriters greatly profited by "discovering" Neil Diamond with thousands of dollars in royalties. The fact is, Neil was such a force and talent, he would have been a star without Barry and Greenwich-it was just a matter of time. And Selvin ignores the real story of Bang Records and Berns--that Diamond and his manager Weintraub- who was badly beaten by thugs- stood up to Berns and the mob despite threats and actual physical attacks. Instead of cowering down, Neil carried a gun and went to the DA. He left Barry and Greenwich, not because he was greedy-he left because he was too big of a talent to stay in New York recording bubblegum tunes. The rest of the book is the best history of the music record business in New York out there.
A look into the way a nobody with real talent works his way into the corrupt business of R&B records. Lots of inside stories. Especially liked the story of the recording of the Isley Brothers' "Twist and Shout." A real look at how it was in the '50s and '60s in the world of making records. As Danny O'Keefe said in his song about the music business, "you write about the moon, and you write about the stars; You're right about the moon, but you're wrong about the stars." An ugly business at times as people - some talented, some not - are scratching their way to their lifelong dreams. Some sell their souls along the way.
Like Jon Tiven, I've been waiting for this book for years. THANK YOU JOEL FOR FINALLY GETTING IT TO ALL OF US! First of all, it's incredibly well-written. And because of that, I lost only one day of work staying up way past my bedtime, because this really is a book you cannot put down. The book weaves the story of Berns, and the reason why this genius has been overlooked, with the backstory- which is essentially a history of R&B once rock and roll entered the lexicon and the culture. The attention to detail and impeccable research is superb-and I can really say that because I'm working on a project about a person who is sort of a peripheral part of this story and is in the book. I might suggest that in the next print run of this book, the youtube urls be included when Mr Selvin writes about Berns' productions and songs he'd written, because this is no namby-pamby book: Selvin uses his skills as one of the country's best rock critics from lets say the Woodstock days to the present to write about what's going on in each song. ( I read the book on my laptop, opened a new tab, and listened to all the songs as i read about them). Selvin doesnt mince words when describing the players: I was a bit taken aback by his description of Jerry Wexler because it is so blatantly honest. The entire book is that honest. The only down side: I was left bereft when the book ended, because Berns died, and the book ended. I wanted more. If you know about some of the stories and some of the players, this book gives you more. If you dont know about them, this is the book that gives you the keys to the kingdom. Bert Berns WAS a genius and many of us knew that. That Joel Selvin has finally told the story is a gift to all of us who love the music.
Most histories of the Brill Building era treat Bert Berns with hissing contempt, but Joel Selvin's fast-paced overview of Berns and his milieu shows you the complex man beneath the bad toupee. Selvin doesn't whitewash Berns' tendency to screw-over his artists, or his mob connections and willingness to use them, but he gives due to the man's joie de vivre, his rapport with musicians, and what nobody can deny: his ability to create more than a few unforgettable hit songs. It's interesting how Berns -- not unlike Bobby Darin -- had a heart condition (sounds like valve disease -- Selvin could have gone into the medical side a little more deeply) and knew he was in a race against time to make his mark on the world. Yes, Berns was vulgar and obnoxious, and hurt some people who didn't deserve it (and some who did), but songs he wrote, produced or brought to market have contributed much to the "gaiety of nations" and "increased the stock of harmless pleasure in the world". Selvin handles all this with great skill, and fills each page with behind-the-songs stories and potted biographies of everyone from backup singers, to mob enforcers. The book is so rich with offhand characters and tantalizing byways, it makes you realize that there are many more great tales yet to be told of this wonderful period in American music.
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